{"id":2547,"date":"2019-04-13T22:52:37","date_gmt":"2019-04-13T22:52:37","guid":{"rendered":"http:\/\/wp.franciscoconte.info\/?page_id=2547"},"modified":"2023-07-14T10:26:51","modified_gmt":"2023-07-14T10:26:51","slug":"anais","status":"publish","type":"page","link":"https:\/\/cimus.musica.ufrj.br\/index.php\/anais\/","title":{"rendered":"ANAIS I CIMUS"},"content":{"rendered":"\n<p style=\"text-align: center;\"><strong>ANAIS I CIMUS<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>I CONGRESSO INTERNACIONAL DE M\u00daSICA SACRA DA UFRJ (CIMuS)<br><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>A M\u00daSICA SACRA CAT\u00d3LICA NOS S\u00c9CULOS XX E XXI<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>20 a 29 de Julho, Brasil, 2017<\/strong><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<table style=\"float: left; width: 420px;\">\n<tbody>\n<tr>\n<td><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2023\/07\/capananaisiicims.jpg\"><img decoding=\"async\" style=\"float: left; padding: 0; border: solid 1px red;\" src=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2023\/07\/capananaisiicims.jpg\" width=\"400\"><\/a><\/td>\n<td style=\"width: 20px;\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; width: 400px; height: 10px;\"><\/td>\n<td style=\"width: 20px;\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; width: 400px; border : solid 1px red;padding : 5px;\"><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=1\"><strong>Vers\u00e3o digital<\/strong><\/a><\/td>\n<td style=\"width: 20px;\">&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>SUM\u00c1RIO<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=6\">APRESENTA\u00c7\u00c3O<\/a><\/strong><\/p>\n<p><strong><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=7\">PRESENTATION<\/a><\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>PALESTRAS<\/strong>&nbsp;<\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=9\">THE RESONANCE OF VATICAN INSTRUCTION IN THE MUSICAM SACRAM ON THE 50th ANNIVERSARY OF ITS PROMULGATION (1967-2017)<\/a><br>\n<strong>Msgr. Robert Tyrala<\/strong><strong>&nbsp;<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=21\">A M\u00daSICA SACRA NA ALEMANHA NO IN\u00cdCIO DO S\u00c9CULO XXI, AO EXEMPLO DA ARQUIDIOCESE DE COL\u00d4NIA<\/a><br>\n<a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=35\">CHURCH MUSIC IN GERMANY AT THE BEGINNING OF THE 21ST CENTURY, WITH YHE EXAMPLE OF THE ARCHDIOCESE OF K\u00d6LN\n<\/a><br>\n<strong>Winfried B\u00f6nig<\/strong><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n\n<p><strong>MESAS-REDONDAS<\/strong>&nbsp;<\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=49\">CENTRO DE ESTUDOS DE M\u00daSICA SACRA E LITURGIA DA ARQUIDIOCESE DE CAMPINAS (CEMULC): FORMA\u00c7\u00c3O, ATIVIDADES LIT\u00daRGICAS, ART\u00cdSTICAS E PESQUISAS<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=49\">CENTER FOR STUDIES OF SACRA MUSIC AND LITURGY OF ARCHDIOCESE OF CAMPINAS (CEMULC): TRAINING, LITURGICAL, ARTISTIC AND RESEARCH ACTIVITIES<\/a><br><strong>Dr. Clayton J\u00fanior Dias<\/strong><strong>&nbsp;<\/strong><\/p>\n\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=61\">M\u00daSICA RELIGIOSA CAT\u00d3LICA NO BRASIL: METAS INSTITUCIONAIS, PR\u00c1TICAS MUSICAIS E REFLEX\u00d5ES ACERCA DA PESQUISA<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=61\">CATHOLIC RELIGIOUS MUSIC IN BRAZIL: INSTITUTIONAL OBJECTIVES, MUSICAL PRACTICES AND CONSIDERATIONS ON RESEARCH<\/a><br><strong>Fernando Lacerda Sim\u00f5es Duarte<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=72\">A CONTRIBUI\u00c7\u00c3O DAS \u201cINCELEN\u00c7AS\u201d DE DEFUNTO PARA A INCULTURA\u00c7\u00c3O DA M\u00daSICA RITUAL DE EX\u00c9QUIAS DA IGREJA NO BRASIL<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=72\">THE CONTRIBUTION OF &#8220;INCELEN\u00c7AS&#8221; OF THE DECEASED FOR THE INCULTURATION OF THE RITUAL MUSIC OF FUNERALS FROM THE ROMAN CATHOLIC CHURCH IN BRAZIL<\/a><br><strong>Joaquim Fonseca, OFM<\/strong><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>WORKSHOPS<\/strong>&nbsp;<\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=83\">O \u00d3RG\u00c3O NO RITO: A COMPOSI\u00c7\u00c3O E A IMPROVISA\u00c7\u00c3O<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=83\">THE ORGAN IN THE RITE: COMPOSITION AND IMPROVISATION<\/a><br><strong>Winfried<\/strong><strong>&nbsp;<\/strong><strong>B\u00f6nig<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=87\">A COMPOSI\u00c7\u00c3O CORAL SACRA CONTEMPOR\u00c2NEA: O COMPOSITOR E SUA COMPOSI\u00c7\u00c3O EM DI\u00c1LOGO COM O INT\u00c9RPRETE<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=87\">CONTEMPORARY SACRED CHORAL COMPOSITION: THE COMPOSER AND HIS COMPOSITION IN DIALOGUE WITH THE INTERPRETER<\/a><br><strong>Ant\u00f4nio C. L. Gast\u00e3o<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=90\">O CANTO GREGORIANO: REG\u00caNCIA E ENTOA\u00c7\u00c3O<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=90\">THE GREGORIAN CHANT: CONDUCTING AND INTONATION<\/a><br><strong>Ant\u00f4nio Pedro de Almeida<\/strong><strong>&nbsp;<\/strong><strong>Santos<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=93\">TRADI\u00c7\u00c3O E RENOVA\u00c7\u00c3O: A M\u00daSICA SACRA NO CORAL MENINAS DOS CANARINHOS DE PETR\u00d3POLIS<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=93\">TRADITION AND RENEWAL: CHURCH MUSIC IN THE CHOIR MENINAS DOS CANARINHOS DE PETR\u00d3POLIS<\/a><br><strong>Marcelo Vizani Calazans<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=95\">AC\u00daSTICA E EXECU\u00c7\u00c3O: A M\u00daSICA NA IGREJA<\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=93\">ACOUSTICS AND EXECUTION: MUSIC IN THE CHURCH<\/a><br><strong>Erika Pereira Machado<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=98\">INT\u00c9RPRETE, REVIS\u00c3O E <i>PREMI\u00c8RE<\/i><\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=98\">INTERPRETER, REVISION AND PREMI\u00c8RE<\/a><br><strong>Roberto<\/strong><strong>&nbsp;<\/strong><strong>Duarte<\/strong><\/p>\n<p><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=103\">NOTAS SOBRE O PROCESSO CRIATIVO DE <i>GLORIA CONCERTATO, PARA SOPRANO, BAR\u00cdTONO, \u00d3RG\u00c3O SOLISTA E ORQUESTRA<\/i><\/a><br><a class=\"wplightbox\" href=\"http:\/\/cimus.musica.ufrj.br\/wp-content\/uploads\/2019\/04\/icimsanaiscomp.pdf#page=103\">NOTES ON THE CREATIVE PROCESS OF THE <i>GLORIA CONCERTATO, FOR SOPRAN, BARITONE, SOLO ORGAN AND ORCHESTRA<\/i><\/a><br><strong>Jo\u00e3o Guilherme Ripper<\/strong><\/p>\n\n\n\n<div style=\"height:112px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANAIS I CIMUS I CONGRESSO INTERNACIONAL DE M\u00daSICA SACRA DA UFRJ (CIMuS) A M\u00daSICA SACRA CAT\u00d3LICA NOS S\u00c9CULOS XX E&nbsp;<\/p>\n<p><a class=\"btn btn-style\" href=\"https:\/\/cimus.musica.ufrj.br\/index.php\/anais\/\">Continue lendo<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2547","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/pages\/2547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/comments?post=2547"}],"version-history":[{"count":58,"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/pages\/2547\/revisions"}],"predecessor-version":[{"id":3361,"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/pages\/2547\/revisions\/3361"}],"wp:attachment":[{"href":"https:\/\/cimus.musica.ufrj.br\/index.php\/wp-json\/wp\/v2\/media?parent=2547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}